NEW VISION OF THE CELLO SUITES
WHAT IS NEW ?
Even if she used all four sources, Marianne's edition follows mainly source A (the manuscript copy by A-M Bach, see below).
When she started her research, Marianne's aim was not only to understand the slurs of the manuscripts but to understand what was Bach's vision of the instrument. The discovery she made gives a deep understanding of the text resulting of a clear and simple interpretation of the slurs, and a lot more resonance from the cello.
The edition should be available in the coming months.